5 must-hear songs this week

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This week our editors sifted through new releases and returned with five tracks that refused to let go. Each pick reveals a different corner of today’s music scene — from widescreen rock and intimate jazz to confrontational hardcore and glossy pop fury. Read on for concise takes on what makes these songs click right now.

The War on Drugs’ “Who’s That”: a towering, intimate rock moment

Adam Granduciel’s latest cut balances sweeping sonics with a sudden inwardness. The song stretches across five minutes, building patiently as synth layers and flanged guitars weave through the mix.

Guitar and synth layered in a studio setting evoking widescreen rock
Sweeping guitar and synth textures that define a towering rock track.

  • Emotional focus: The lyrics probe self-worth and the weight of mood.
  • Production: Ambient synth washes meet chiming guitar lines and a steady pulse.
  • Instant craftsmanship: Reportedly sketched very quickly, the track still feels meticulously arranged.

What stands out is how the personal content matches the band’s large-scale sound. The result is a rare moment when interior reflection and audio grandeur fuse. No wonder it landed as our Song of the Week.

Why Josh Johnson’s “Reece” should be on your calm-into-complex playlist

Johnson continues a streak of refined output. “Reece” serves as the lead single for his upcoming record and showcases a quiet command of atmosphere.

  • Texture: Horns add warmth while layered elements hide below a minimalist surface.
  • Length: The track clocks in under three minutes but feels like the start of something longer.
  • Context: Johnson’s recent collaborations and ensembles make this another confident step.

The song glides rather than shouts. It rewards repeated listens and suggests Johnson is exploring restraint with depth.

Slayyyter’s “crank 2”: pop vengeance turned into a mood

Slayyyter pivots from trashy glamour to frostier, sharper pop on this follow-up. The single refines the attitude of earlier work into a darker, more pointed statement.

What makes it click

  • Tone: Less brash, more ominous and hypnotic.
  • Persona: The song feels like a dismissed lover’s retort, sung with confidence.
  • Album tie-in: It appears linked to a companion project that expands on her previous themes.

Expect lines to make the rounds on social feeds. Still, the track stands on its own as a compact, potent burst of pop energy.

Soul Glo’s “February Theory”: hardcore that detonates and questions

The Philly collective returns with a bruising cut that mixes furious riffs and volatile vocal delivery. The song feels like a controlled explosion.

Intense live hardcore band mid-performance with energetic stage presence
A brutal, cathartic hardcore performance that matches the song’s intensity.

  • Intensity: Abrasive guitars and spiky percussion drive the track forward.
  • Delivery: Vocals alternate between personal confession and near-screamed catharsis.
  • Momentum: This single hints at new album material that promises to push the band’s sound further.

Soul Glo channels frustration into kinetic music. The result is both punishing and oddly cathartic, a modern hardcore piece that lands like a statement.

Twisted Teens’ “When We First Met”: nostalgic fuzz and raw hooks

The New Orleans duo keeps producing songs that hit unexpectedly hard. This one bursts open with vibrating guitar tones, scattered drums, and a voice that carries sweet grit.

  • Vibe: A mix of lo-fi charm and stadium-sized hooks.
  • Lyricism: The track looks back on early romance with a mix of fondness and rue.
  • Output: With multiple strong releases this year, the band’s momentum is undeniable.

It’s the kind of song that makes you rewind and play it again. With another record likely on the horizon, Twisted Teens are quietly making a strong case for year-end attention.

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